Art Lessons With Fabric Wrapped Around Chairs to Draw

His meteoric rise, thank you in large office to his fearless way with color, has made Patrick Mele a designer to picket. "I'k not agape of color. I like bold statements with color. I like rich hues," he proclaims. "I don't tend to piece of work a lot with muted or tertiary colors. I similar well-baked white, crisp blackness; I like well-baked vibrant color every bit an overall argument."

And so how does he do it? We scored a peek at one of his design projects and asked him to decode his color choices, room by room, and the lessons started flowing in. Gear up to wait at color in a whole new way.

In the entryway, a bright and playful wallpaper by David Hicks gives a sense of lightness to the dark wood trestle table, a family heirloom, and the existing wood detailing.

In the entryway, a bright and playful wallpaper by David Hicks gives a sense of lightness to the night wood trestle table, a family unit heirloom, and the existing wood detailing.

Lesson No. 1
Think in Color Families

At outset glance the home'southward entryway looks similar a anarchism of color, but afterwards talking to Mele you realize he was really working with a tight palette. "I wanted a lot of white, kickoff of all, and then a mix of bluish and orangish," he reveals. The hush-hush? Working with various hues within each of these two complementary color families. His dejection included "cobalt, turquoise, delft, navy. Within the orange family unit, corals, tangerines, grapefruits. Really rich hues, non muted."

The homeowner loves blue, so that was the first color Mele decided to focus on when developing his decorating approach.

The homeowner loves blue, so that was the first color Mele decided to focus on when developing his decorating approach.

Lesson No. 2
Bluish & White Always Works

For Mele, using a combo of blue and white is like "wearing a white shirt with blue jeans, or a navy-bluish blazer and a white shirt. It never goes out of style." The classic color combination in interiors can be similarly dressed upwards or down. In the living room, Mele used a decidedly denimlike shade of blue grass textile on the walls to add color and texture, which helps the silhouettes of the white accessories and the wingback chairs actually pop. The overall event is polished notwithstanding casual. "I think bluish and white is the equivalent of black and white; it'south just not as fierce," says the designer. "Information technology's more welcoming to most people."

Black chairs by Hans Wegner tie back to the black base of the table Mele had made for the breakfast room.

Black chairs by Hans Wegner necktie back to the black base of the table Mele had made for the breakfast room.

Lesson No. iii
Pick a Palette, and Repeat

Working inside a streamlined color palette non merely helps the rooms themselves feel cohesive, but it besides helps with the transitions betwixt rooms. "When you're in the heart of the foyer and you're able to see all the other rooms throughout, you take the same family of colors repeated but in different means in each space," says Mele. Case in point: The walls of the breakfast room are coated with a similar blue to the family room, but this time with paint, and equally in the entryway, a pop of orange upholstery has a striking yet grounding effect.

Mele added a decorative fringe to the sofa and a skirt to the armchair to reduce the number of visible legs in the room, given the dominance of the piano in the space.

Mele added a decorative fringe to the sofa and a skirt to the armchair to reduce the number of visible legs in the room, given the say-so of the piano in the space.

Lesson No. four
Play with Percentages

A genius mode to get fifty-fifty more mileage out of a small group of colors is to do a flip-bomb of sorts, pushing what was previously used as an accent color to the foreground. This is precisely what Mele did in this music room by using statement orange curtains and tangerine lamps while letting the blue and white recede to a single armchair. "Information technology ties in blue to fit in with the rest of the house," says Mele of his pattern.

Mele covered two-thirds of the dining room walls with white wainscoting to temper the coral grass cloth that covers the reminder and painted the ceiling a subtle shade of blue.

Mele covered ii-thirds of the dining room walls with white wainscoting to temper the coral grass textile that covers the reminder and painted the ceiling a subtle shade of bluish.

Lesson No. five
Employ White to Freshen Things Up

Mele is a huge proponent of painting things white, specially article of furniture. "I think white modernizes and freshens," he says. "People are afraid of their one-time grandmother's found furniture, but their forms are and so fabled and remain timeless. White just gives furniture a gimmicky personality, I think. A fresh youthful spirit." To strike the right color balance in the dwelling's formal dining room, Mele had the dining chairs bleached white from the original brown.

The fabric Mele and the homeowner fell in love with for the master bedroom is Jules et Jim by Clarence House.

The material Mele and the homeowner cruel in love with for the master bedchamber is Jules et Jim by Clarence House.

Lesson No. 6
Strike a Color-and-Pattern Compromise

When dialing upwardly the pattern, information technology'southward sometimes all-time to dial down the color to achieve a calmer, less chaotic effect. When designing the domicile'due south master sleeping accommodation, Mele started with a bold, Matisse-esque pattern and made his color choices, or lack thereof, from there. "I just wanted to use that blueprint everywhere and not suspension it up with dissimilar colors or patterns," he says. To that end he refrained from introducing whatsoever of the vibrant colors he used on the habitation's ground flooring. "I wanted information technology to feel a little calmer, quieter, even though it'southward non a calm, quiet fabric."

The color master himself, Patrick Mele, in the home's colorful living room.

The colour primary himself, Patrick Mele, in the home'southward colorful living room.

More Mele Colour Tips!

What's a peachy mode to bring in brighter hues without it feeling overwhelming?
"If y'all aren't comfortable using strong hues in a big way start small-scale, with primal accessories like textiles—pillows, throws, area rugs—that can be switched out as your mood changes."

What are a few of your favorite decorating tricks for calculation instant color to a room?
"Fresh flowers, books, lampshades."

What are mutual color decorating mistakes y'all run into?
"Dreary, gray, diluted versions of truthful color, I think, are overused. As well many institutional creams. Creams can at times be lovely, but more often than not they are sad and feel dirty and dated. Instead of cream, opt for true, crisp white. Instead of sand, try cocoa."

Any specific rooms that are slap-up for experimenting with color?
"Dining rooms are a nifty place to try out your offset motility in the color department. We normally get together in these spaces at night, a time when a deep colour, such equally claret or aubergine, illuminated past candlelight, draws you lot and your guests to the table. Powder rooms are another, which should be treated as little jewels and departures from the balance."

Related: 5 Designers on Their Favorite Colors for the Bedroom →

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Source: https://www.onekingslane.com/live-love-home/decorating-with-color-patrick-mele/

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